Big Inca

To: The Boss

From: Bill

Date: February 17 

I don’t understand any of this.

~*~

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Big Inca

To: The Boss

From: Bill

Date: January 20 

We’re working on a photographic history. Maybe we can publish it.

For now, it will probably be a gallery exhibit, and probably help with the rental literature.

But there are also some important lessons here.

A photographer begins with place. The same way we have.

But, I’m told, the photography part is easy.

The hardest part is naming photos for exhibition as well as matting and mounting them. It depends, apparently.

But it’s also true that processing and printing are dull work – much of it taking place in the dark.

One of my sources admits she always found someone else for the matting.

All of this has me thinking about “field” in photography? As in field of vision, for starters. And then field, or fields, as in ours.

~*~

For the full story, click here: BIG INCA.

Big Inca

To: Bill

From: The Boss

Date: January 9

I would have thought it would be some Rossini. Something frothy with laughter.

Any idea which Glass he’s considering? The pharaoh, Einstein, and Gandhi are all huge productions that would never fit on that stage. What about commissioning him to do something more manageable – say something about a cab driver.

Like the one I just had.

Essential materials can also be a good investment, if you place yourself right. But it gets tricky, and seldom proves highly profitable. Unless you corner the market or a significant share of it. Still, I’d consider anything.

The secret to business success is realizing that every transaction can be sexy. People will buy that.

Just remember you have a cosmos at your fingertips.

~*~

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